Paintings

Ilsink, M., Koldeweij, J., Spronk, R., Hoogstede, L., G. Erdmann, R., Klein Gotink, R., Nap, H., Veldhuizen, D., Jheronimus Bosch: schilder en tekenaar. Catalogue raisonné, Brussel: Mercatorfonds, 2016. NL/ISBN 978 94 6230 111 5, EN/ISBN 978 94 6230 113 9

Hoogstede, L. et al., Hieronymus Bosch: painter and draughtsman. Technical Studies, Brussel: Mercatorfonds, 2016. EN/ISBN 978 94 6230 115 3

Seymour, K., Caspers, C., ‘Maarten van Heemskercks De Calvarieberg: origineel en reconstruct’, kM Materiaaltechnish No 96, 2015, pp 36-40.

Fife, G.R., Stabik, B., Kelley, A, King, J.N., Blümich, B., Hoppenbrouwers, R., Meldrum, T., ‘Characterization of aging and solvent treatments of painted surfaces using single-sided NMR’. Magnetic Resononance in Chemistry. Special Issue: NMR in Cultural Heritage, 53 (1), pp 58–63, 2015. Published online 21 Oct. 2014 (wileyonlinelibrary.com) DOI 10.1002/mrc.4164 (accessed 12/02/2015).

Seymour, K., van Grevenstein, A., ‘Knowledge dissemination and education’, The conservation of panel paintings and related objects: research agenda 2014-2020, pp 139-169, Kos, N (ed), The Getty Foundation, Rijksmuseum, NWO. 2014. Published online (www.nwo.nl/onderzoek-en-resultaten/programmas/science4arts).

Hoogstede, L., “Bosch Research and Conservation Project – BRCP Solving the Puzzle.” In Jheronimus Bosch. His Patrons and his Public, 3rd International Jheronimus Bosch Conference. September 16–18, 2012, ed. Timmermans, J., pp. 372–385. ’s-Hertogenbosch, 2014.

Seymour, K: Materials y metodos en los tratamientos de refuerzo de pintura sobre lienzo mediante entelados a la gacha: documentacion, function y conservacion. Paste Lining Project: Experimental 2013-2014; “Crack Observations SRAL 2014”. pp. 1-28, published online 2015, (accessed Jan 2015).

Fife, G.R., Stabik, B., Blümich, B., Hoppenbrouwers, R., Meldrum. T., ‘Evidence for the accumulative effect of organic solvent treatments on paintings and what to do about it: A case study of two “identical” 17th century paintings with single-sided NMR’, Non-Invasive Analysis of Painted Surfaces: Scientific Impact and Conservation Practices. The ICOM Committee for Conservation Painting and Scientific Research Group Meeting, Washington D.C. February 2014. (to be published in SI scholarly Press). Currently published online: http://www.youtube.com/watch?v=qDee6QUc0gg(accessed 26/9/2014).

Albrecht, M, Daugherty, M., van Oudheusden, S., d’Hont, L., Seymour, K., Rief, M., Marchant, R., Uffelman, E.; ‘Unravelling the history of two fifteenth century Spanish panels’, Non-Invasive Analysis of Painted Surfaces: Scientific Impact and Conservation Practices. The ICOM Committee for Conservation Painting and Scientific Research Group Meeting, Washington D.C. February 2014. (to be published in SI scholarly Press). Currently published online: https://www.youtube.com/watch?v=ttzIJRdVtFA (accessed 26/9/2014).

Seymour, K., Albrecht, M., Daugherty, M., van Oudheusden, S., d’Hont, L., Rief, M., Marchant, R.; ‘The thin edge of the wedge: Stabilisation of a damaged panel painting support using tapered wooden sections’, ICOM Committee for Conservation preprints, 17^th Triennial Meeting, 15-19 September 2014, ed. J. Bridgland, Melbourne, 2014 (electronic publication).

Uffelman, E., Abraham, L., van den Burg, J., Florescu, S., Hoppenbrouwers, R., van der Knaap, F., Koenen, J., te Marvelde, M., van Putten, H., Roeders, J., Seymour, K.; ‘A new “three-legged stool”: Research and educational ventures between the Frans Hals Museum Stichting Restauratie Atelier
Limburg, and Washington and Lee University’, ICOM Committee for Conservation preprints, 17^th Triennial Meeting, 15-19 September 2014, ed. J. Bridgland, Melbourne, 2014 (electronic publication).

Markevicius, T., Olsson, N., Seymour, K., Amorosi, L., Balzani, V., Conti, L.; ‘The IMAT: a new performance tool for heat transfer and innovative applications for art conservation’, 42^nd Annual Meeting of American Institute for Conservation Postprints, San Francisco, 2014, AIC (electronic publication).

Fife, G.R., Van Och, J., Seymour, K., Hoppenbrouwers, R., ‘Tissue Gel Composite Cleaning’, New Insights into the Cleaning of Paintings. Proceedings from the Cleaning 2010 International Conference Universidad Politécnica de Valencia and Museum Conservation Institute, ed. Mecklenburg, M., Charola, A.E., Koestler, R.J., Smithsonian Institution Scholarly Press, Washington D.C. 2013, pp 197-200.

Fife, G.R., Van Och, J., ‘Bol’s Chamber Paintings in Later Times’ in Art and Allegiance in the Dutch Golden Age: The ambitions of a wealthy widow in a painted chamber by Ferdinand Bol van Eikemna Hommes, M., pp 169-187, Amsterdam University Press. 2012.

Fife, G.R., Miedema, N., Van Och, J., Seymour, K., Hoppenbrouwers, R., ‘A Package Deal: The Development of Tissue Gel Composite Cleaning at SRAL’. ICOM Committee for Conservation preprints, 16th Triennial Meeting Abstracts, Lisbon, 19th-23rd September 2011, Bridgland, J. (managing editor), Critério, p 172.

Seymour, K., ‘Standard non-destructive techniques used to document and examine artworks employed within the conservation field’. Cultural Heritage Conservation: Non-destructive testing technology application. Proceedings of the international symposium held at the National Center for Research and Preservation of Cultural Properties, Tainan, Taiwan, 6-7 December 2010, NCRPCP, 2010.

Hoogstede, L. “Degradation of Red Lake Paints as seen in Paintings by Guillaumin and Van Gogh.” Eu-ARTECH Symposium - Van Gogh and Contemporaries (electronic publication), Van Gogh Museum, Amsterdam, 2009.

Seymour, K., Caspers, C., ‘A reconstruction of Maerten van Heemskerck´s ´De Calvarieberg´ (1543): Accuracy and Visual Interpretation’, Art, conservation and authenticities: material, concept, context: proceedings of the international conference held at the University of Glasgow, 12-14 September 2007, ed. Hermens, E., Fiske, T., Archetype Publications Ltd, 2009. pp 115-124.

Fife, G.R., ‘Geen alledaags werk: De Restauratie van Ferdinand Bol’, Uitgelicht 10, Bonnefanten Museum publication, Maastricht, 2007.

Fife, G.R., van Eikema Hommes, M; van Och, J.‘Vier schiderijen van Ferdinand Bol; onderzoek en behandeling’, 100 jaar Vredespalais, CR: Interdisciplinair tijdschrift voor Conservering en Restauratie, 8 (2), 2007, pp 27-29.

Seymour, K., van Och, J., ‘A cold-lining technique for large-scale paintings’, in Big Pictures: problems and solutions for treating outsize paintings, ed. Woodcock, S., Archetype Publications Ltd., 2005 .

Seymour, K., ‘Laser Cleaning – The ‘Entombment of Christ’, ICOM Committee for Conservation preprints, 14th Triennial Meeting Preprints, The Hague, 12-16 September 2005, ed. Verger, I., Earthscan Ltd., 2005.

Seymour, K., Scholten, H., ‘Laser: light amplification by stimulated emission of radiation: an overview of the principles of lasers and laser interaction’, CR: Interdisciplinair tijdschrift voor Conservering en Restauratie, 4 (3), 2003, pp 16-21

Seymour, Kate; ‘Laser trials at Art Innovation: three case studies’, CR: Interdisciplinair tijdschrift voor Conservering en Restauratie, 4 (3), 2003, pp 24-35.

Van Och, J., Hoppenbrouwers, R., "Mist-lining and low-pressure envelopes: an alternative lining method for the reinforcement of canvas paintings", Zeitschrift für Kunsttechnologie und Konservierung, 2003, (17) 1, pp. 116 – 128.

Dubois, H., Wallert, A., ‘Titian’s Technique in Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter. Related Issues of Attribution, Authencity, Presentation, Conservation and Appearance’, Restauratie Dossier, Koninklijk Museum voor Schone Kunsten Antwerpen, Jaargang 3 (1), 2003, pp. 22-37.

Dubois, H., Seymour, K., ‘The restoration of Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter by Titian’, Restauratie Dossier, Koninklijk Museum voor Schone Kunsten Antwerpen, Jaargang 3, (1), 2003, pp. 38-48.

Seymour, K., ‘Laser trials at Art Innovation: three case studies’, CR: interdisciplinair vakblad voor conservering en restauratie 4 (3), 2003, pp 24-35.

Boon, J., Van Och, J., ‘A mass spectrometric study of the effect of varnish removal from a 19th-century solvent-sensitive wax-oil painting’. ICOM Committee for Conservation preprints, 11th Triennial Meeting, 1-6 September 1996, ed. Bridgland, J., Edinburgh. 1996, London: James and James Science Publishers. pp 197–206.

Sculptures and painted objects

Truyen, A., Seymour, K., ‘Traces of tools and workbench clamps found on the sculptures of Jan van Steffeswert (ca. 1460 – ca 1530)’. In postprints ed. K. Seymour Polychrome Sculpture: Tool Marks and Construction Techniques ICOM-CC Interim Meeting, Working Group Sculpture, Polychromy, and Architectural Decoration, Maastricht 24-25 October 2010. (2010)

Truyen, A and Seymour, K; ‘19th century construction and polychrome techniques of Pierre Cuypers and his studio: All that glitters is not gold’. In postprints: ed K. Seymour. Polychrome Sculpture: Artistic Tradition and Construction Techniques ICOM-CC Interim Meeting, Working Group Sculpture, Polychromy, and Architectural Decoration, Glasgow 13-14 April 2012. (2012)

Truyen, A., Mitteilungen aus dem LVR-Amt für Denkmalpflege im Rheinland heft 15, Der Niederrehein Kunstlandschaft der Spätgotik, 'der Meister von Elsloo: ein Künstler ohne Grenzen', pp 67-76, LVR, 2013.

Truyen, A., Hoofdstuk gepubliceerd in tentoonstellingskatalogus: Die Dominikaner in Kalkar:’Der Kruzifixus von Neerbosch: Technische Beschreibung und Restaurierung', pp130-135, Verein der Freunde Kalkars e.V., 2013

Truyen, A., ‘A Masterly Hand, Interdisciplinary research on the Late-Medieval Sculptor(s) Master of Elsloo in an International Perspective’, Scientia Artis 9: Chapter 11: Technical Study of St Anne with the Virgin and Child in Elsloo and Some Other Sculptures Associated with the Master of Elsloo pp218-227, Royal Institute for Cultural Heritage Brussels, 2013

Truyen, A., ‘De Martinuskerk anders belicht’ (Book) Hoofdstuk 3: Muur- en gewelfschilderingen, pp. 55-69 Stichting Martinus Monument Weert, 2010.

Hoppenbrouwers,R., Truyen, A., ‘De restauratie van gepolychromeerd houtsnijwerk in het interieur van de St. Salviuskerk te Limbricht’, Restauratie Kasteel Limbricht: Bouwvallen werden monumenten, pp. 130-139, 2011.

Truyen, A., ‘De beklimming van de Mont Blanc deel 2; De vijfde etappe nader toegelicht’, RN M@gazine 5, 2011.

Truyen, A., Tummers, H.: ‘De Restauratie van het Praalgraf in 2006’, pp. 54-109. ‘Geschiedenis en restauratie van een uitzonderlijk monument’, in Het Praalgraf van Gerard van Gelre en Margaretha van Brabant in de Musterkerk te Roermond, ed. Tummers, H., Venner, G.,Roermond 2008

Truyen, A., te Poel, P., “Jan van Steffensweert nog beter uit de verf” Signatuur IAN ontdekt op het Balbinabeeld uit Millen, De Maasgouw, jaargang 122 (1), 2003, pp 3-14.

Truyen A., te Poel, P., ‘Neue Entdeckung, eine signatur des Maastrichter Bildsnitzers Jan van Steffeswert an der Skulptur der H. Balbina in Millen‘ p69-89, in book: Heimatkalender des Kreises Heinsberg, Kreis Heinsberg 2003,

Truyen, A., ‘ De reconstructie van het retabel van Aldenhoven 2’, Constructing Wooden Images: Proceedings of the symposium on the organization of Labour and working practices of Late Gothic carved altarpieces in the Low Countries, Brussels 25-26 October 2002, ed. Velde, C. van de, VUBPRESS, pp.49-265, 2005.

Truyen, A., ‘Op de drempel van een nieuwe tijd: de Maastrichtse beeldsnijder Jan van Steffeswert’,: ‘Materiaaltechnisch onderzoek van signatuur, meesterteken en jaartal’ pp.57-66, ‘van Boomstam tot Beeld; een poging tot recontructie van Van Sateffeswert stelierpraktijk’, pp. 77-94, Tentoonstellingscatalogus Bonnefantenmuseum Maastricht/Provincie Limburg, Te Poel, P., Truyen, A., pp. 101-122

Truyen, A.,‘Technologische Beobachtungen an einigen niederrheinischen Skulpturen mit relief geschnitzten Borten‘ Gegen den Strom, Meisterwerke Niederrheinischer skulptur in Zeiten der Reformation 1500-1550, Katalog zur Ausstellung 1996-1997, Suermondt Ludwig Museum Aachen 1996, pp. 113-129

Modern and contemporary art

Beerkens, L., Learner, T., (eds) : Conserving Outdoor Painted Sculptures, Proceedings from the ICOM CC working group MMCA interim meeting, (to be published GCI press).

Beerkens, L., Vinci Tajiri, R., ‘As Good as New: On the Recoating of Shinkichi Tajiri’s Square Knot (1974)’, in Venlo, the Netherlands (to be published GCI press, pp 23 – 31).

Beerkens, L., Supply, S., Bechthold, T., ‘Matti Suuronen’s Futuro House Prototype’, In: Future Talks 011, Technology and Conservation of Modern Materials in Design, Die Neue Sammlung München, 2013, pp. 129 – 137.

Beerkens, L., ‘Restauratie van moderne kunst, een nieuwe specialisatie binnen het restauratievakgebied’, Thesis (unpublished), Wijchen, 2012.

Beerkens, L., Hoen, P.T., (et al) The Artist Interview. For conservation and presentation of contemporary art. Guidelines and practice, SBMK, RCE, UvA, JapSam Books, Heijningen 2012.

Beerkens, L.,‘Henk Peeters on the Making and Remaking of his Work’ in The Artist Interview, ed. Beerkens, L., et al., Heijningen 2012, pp 112-119.

Beerkens, L., ‘a World of Reversals, Sculptures by Tom Claassen’ in The Artist Interview, ed. Beerkens, L., et al., Heijningen 2012, pp 78-85 .

Weerdenburg, S., Beerkens, L., ‘André Volten, at the Interface between Surface and Space’ in The Artist Interview, ed. Beerkens, L., et al., Heijningen 2012, pp 130-137.

Beerkens, L., Breder, F., ‘Temporary Art? The Production and Conservation of Outdoor Sculptures in Fiberglass Reinforced Polyester’, Conservation Perspectives – 27.2, issue on Outdoor Sculptures. GCI Newsletter 2012.

Beerkens, L., Weerdenburg, S., ‘Restoration or Reconstruction? towards a conservation approach for ‘Arte Povera’ installations, based on the art process and the artist intent’, ICOM-CC 16th Triennial Meeting Abstracts, Lisbon, 19th-23rd September 2011, ed. Bridgland, J, pp 116, International Council of Museums, Working Group Modern Materials & Contemporary Art.

Beerkens, L., ‘Ready for take-off, again; on the restoration of Panamarenko’s Umbilly I’, SFIIC conference on modern and Contemporary art preprints, 23-24th June, Paris 2009.

Beerkens, L., Supply, S., ‘Back to the Future’, Desipientia, 16 (2), 2009, pp 34-39.

Beerkens, L., Supply S., ‘Back to the Future, De restauratie van 'Umbilly I' (1976) van Panamarenko’, in Panamarenko - Umbilly I, omzwervingen van een vliegtuig binnen de TU/e, Technische Universiteit Eindhoven, Verhoogt, G., et al., 2008, pp. 36- 41

Stigter, S., Beerkens, L., Schellen, H., Kuperholc, S., ‘Outdoor Polychrome Sculpture in Transit: Joep van Lieshouts’ , Mobile Home for Kröller Müller’, ICOM-CC 15th Triennial Meeting preprints, New Delhi, 22– 26 September 2008, ed Bridgland, J., pp. 236-243 International Council of Museums,: Working group Modern Materials and Contemporary Art.

Beerkens, L., Stigter, S., van Oosten, T., van Keulen, H., ‘Go with the flow, Conservation of a floating sculpture from 1961 made from glass fibre-reinforced polyester resin’, Plastics, looking at the Future and learning from the Past, Victoria & Albert Museum Conference Papers 23-25 May 2007, published Archtype Londen, 2008, pp.45-51.

Beerkens, L., ‘Flying back in time, The Reconstructive Conservation of Panamarenko’s 'Umbilly I'’, l’Arte fuori dal museo, Rinaldi, S., Universita Viterbo, 2008, pp. 114-128.

Beerkens, L., ‘Nothing but the real thing, considerations on replica’s in modern art’. Published Tate online, www.tate.org, Tate Papers, 2007.

Beerkens, L., Duarte, F., ‘The treatment and approach of modern artworks from the Porto University collection at the Faculdade da Belas Artes University Oporto Portugal’, Porto Online: December 2007, www.apha.pt/boletim/boletim5 (accessed June 2012).

Beerkens, L., ‘De problematische geschiedenis van het schilderen met was’, in kM kunstenaarsmaterialen, 61, 2007 (herdruk) pp. 15-20.

Beerkens, L.., Mager S., ‘Keith Haring: Art or Graffiti. The restoration of Keith Harings ‘Drawing on Elevator’ (1986) in the Art Academy Utrecht’, VDR Beiträge zur Erhaltung von Kunst- und Kulturgut, Heft 2, 2005, pp 114-122.

Beerkens, L.., ‘Biografie eines bewegten Lebens‘, Konservierungsfragen zu Jean Tinguelys Gismo, Restauro, 2005, pp.251-255.

Beerkens, L., Hoppenbouwers, R., Truyen, A., ‘Het boek van Petrus en de Harp van Orpheus van Barbara Hepworth’, Catalogue Art Fair Den Bosch, 2005, pp 20-23.

Beerkens, L., ‘Het Schilderij voorbij, het vormonderzoek van Raoul de Keyser’, kM kunstenaarsmaterialen, 48, 2003, pp 32-33.

Beerkens, L., ´Plastics in Modern Art; in: Van Oosten, Sashoua, Waentig‘, Plastics in Art, Kölner Beiträge, Band 15, 2002, pp.7-17.

Beerkens, L., ‘Sfeer Schilderen, Beautiful Insanity van Norbert van Grunschel’, kM kunstenaarsmaterialen, 43, 2002, pp 23-25.

Beerkens, L.., Manzoni, P., ‘A contemporary Cleaning Controversy’ in Modern art, who cares? : an interdisciplinary research project and an international symposium on the conservation of modern and contemporary art , ed. Hummelen, I., Sillé, D., Zijlmans, M., Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage, Amsterdam, 1999, pp 127-131.

Beerkens, L., ‘Mario Merz, Città Irreale, the preservation of a city of light’ in Modern art, who cares? : an interdisciplinary research project and an international symposium on the conservation of modern and contemporary art , ed. Hummelen, I., Sillé, D., Zijlmans, M., Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage, Amsterdam, 1999, pp 67-73.

Beerkens, L., Berndes, C., ‘Tony Cragg, One Space, four places, Interview, Tony Cragg on conservation’ in Modern art, who cares? : an interdisciplinary research project and an international symposium on the conservation of modern and contemporary art , ed. Hummelen, I., Sillé, D., Zijlmans, M., Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage, Amsterdam, 1999, pp. 82-85.

Beerkens, L.., Hummelen, I., ‘Tony Cragg - model research’ in Modern art, who cares? : an interdisciplinary research project and an international symposium on the conservation of modern and contemporary art , ed. Hummelen, I., Sillé, D., Zijlmans, M., Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage, Amsterdam, 1999, pp. 86-90.

Beerkens, L., ‘Tony Cragg - The Actual restoration’ in Modern art, who cares? : an interdisciplinary research project and an international symposium on the conservation of modern and contemporary art , ed. Hummelen, I., Sillé, D., Zijlmans, M., Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage, Amsterdam, 1999, p. 91.

Beerkens, L., ‘Marcel Broodthaers, wounds from the time of production’ in Modern art, who cares? : an interdisciplinary research project and an international symposium on the conservation of modern and contemporary art , ed. Hummelen, I., Sillé, D., Zijlmans, M., Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage, Amsterdam, 1999, pp 119-123.

Beerkens, L., ‘Het verschil van dag en nacht, Auto-mobiele beweging bij prototypen van Gerrit van Bakel ’, kM kunstenaarsmaterialen, 35, 2000, pp 11-14.

Beerkens, L., ‘Middeleeuwse beelden in Venray en hun onderlinge samenhang’, NKJ Nederlands Kunsthistorisch Jaarboek Beelden in de Late Middeleeuwen en Renaissance deel 45, ed. Falkenburg, R., et.al, Zwolle, 1994, pp 98-125.

Historic interiors and wall paintings

Friedrichs, A., ‘Architectural paint research: exploring the architectural qualities of colour’, Standards in Architectural Paint Research, ed. Nilsen, L., Hinrichs Degeerblad, K., Archetype, 2014: 83-91.

Friedrichs, A., ‘Communicating the results of architectural paint research’, Architectural Paint Research; Sharing Information, Sharing Decisions, ed. Faulding, R. Thomas, S., Archetype, 2014: 91-98.

Junge – Dijkman, C., ‘De reconstructie van de decoratieve wandafwerking van de voorhal in het Rijksmuseum’, Neostijlen in het interieur 1850-1900, Pierre Cuypers en tijdgenoten, ed. Vasques Dias, M., Stichting Ebnist, 2013/14: 84-96.

Friedrichs, A., ‘Van fresco tot keim’, kM 89, maart 2014: 16-19.

Friedrichs, A., ‘Tussen hoofd en hand’, in: De genade van de Steige. Monumentale kerkelijke schilderkunst in het interbellum, van Hellenberg Hubar,B., Walburg Pers, RCE, 2013: 83-103.

Friedrichs, A., ‘De gewelfschilderingen’ in De Cellebroederskapel, Stichting Historische Reeks Maastricht, ed. Mes, W., Jenniskens, A., Maastricht 2012: 205-217.

Van der Woude, N., ‘Amerongen Castle: The House a Phoenix: The Conservation and Reviving of a Dutch Historic House’, in M.Sawicki & K.Seymour (ed.) The Artifact, its Context and their Narrative: multidisciplinary conservation in historic house museums, A Joint Conference of ICOM-DEMHIST and three ICOM-CC Working Groups: Sculpture, Polychromy, & Architectural Decoration; Wood, Furniture, & Lacquer; and Textiles. The Getty Research Institute, Los Angeles, November 6-9, 2012.
http://www.icom-cc.org/ul/cms/fck-uploaded/documents/DEMHIST%20_%20ICOM-CC%20Joint%20Interim%20Meeting%202012/18-Woude-DEMHIST_ICOMCC-LA_2012.pdf

Van der Woude, ‘Loodwit en loodchromaatgeel: slecht of juist het historisch (Hollands) Spoor’, Verslag van de presentatie op het RCE Loodwitsymposium, 11 januari 2012 door B.Crijns.
http://www.collectiewijzer.nl/2012/01/11/loodwitsymposium-loodwit-en-loodchromaatgeel-slecht-of-juist-het-historisch-hollands-spoor/

Hoppenbrouwers,R., ‘Diverse bijdragen over de restauraties in de Pancratiuskerk te Heerlen’, Sint Pancratius in het hart van Heerlen, uitgeverij Van Tilt, Nijmegen 2010.

Van der Woude, N. ‘Symposiumverslag TPF/SPAB Technical Day: Traditional Lead Paint Issues & Alternatives’, Toynbee Hall, Londen, 12 oktober 2009 in RN-M@gazine nr. 1, 2010: 20-23. http://www.restauratoren.nl/upload/documenten/rn-m-gazine-1.pdf

Friedrichs, A., ‘De restauratie van de gewelfschilderingen’ in Dominicanen, geschiedenis van kerk en klooster, Maastricht, Stichting Vierkant Maastricht, 2006: 205-218.

R. Keppler, N. van der Woude (co-auteur), ‘The Rediscovery and Repainting of a Nineteenth – century Paint Scheme’, ín TRADITIONAL PAINT NEWS, The Journal of The Traditional Paint Forum, VOL 2 No. 2, Edinburgh 2006: 71-82.

Seymour, K., Hoppenbrouwers, R., van Grevenstein, A., Friedrichs A., ‘A matter of scale? From sculpture to interior: the conservation of polychrome surfaces’, ICOM Committee for Conservation preprints 14th Triennial Meeting Preprints, The Hague, 12-16 September 2005, ed. Verger, I., pp 841-6

Friedrichs, A., 'De geperste brokaten op de twaalf koorzuilen in de Pieterskerk, Het uiterlijk van de geperste brokaten in de Pieterskerk' en 'Verval en restauratie van het geperst brokaat' in Eredoeken in geperst brokaat, Brokaatimitaties op de koorzuilen in de Pieterskerk Leiden, ed. Fock, C.W., Friedrichs, A.A.H., e.a. 2003: 79-86.

Friedrichs, A., ‘Het schildertechnisch onderzoek’, in Een Curieus Werck, Oorlog en vrede verbeeld in een zeventiende-eeuwse maquette, ed. Carasso-Kok, M., van Lakerveld, C., 2003: 108-117.

Friedrichs, A., ‘Architectural Paint Research: The Dutch Experience and Perspective’, in

Layers of understanding; setting standards for architectural paint research, ed. Hughes, H., English Heritage, 2002: 31-34.

Bourgeois, T., Friedrichs, A. et.al., Monumentenzorg? Vergeet de historische binnenruimte niet! Stichting Restauratie Atelier Limburg/Hogeschool Antwerpen, 2001

Hoppenbrouwers, R., ‘De Stichting Restauratie Atelier Limburg, Conservering, restauratie, onderzoek en restauratie-opleiding’, KNOB bulletin, 2000: 157-165.

Friedrichs, A., ‘De verfdwarsdoorsnede bij het onderzoek van de historische binnenruimte: Persbrokaat op steen’, KNOB bulletin, 2000: 166-172.

Van der Woude, N., Oud-Amelisweerd, ‘Doornroosje gerestaureerd’, KNOB bulletin, 2000: 179-188.

Friedrichs, A., Van Grevenstein, A., ‘Verborgen kleurlagen op Maastrichtse gevels’ kM 15, 1995: 20-21.

Education

Seymour, K., ‘Balancing Knowledge and Practice through Repetition and Reflection’, CeROArt online journal postprints of EnCoRE Conference ‘Teaching in Conservation’ Liege 2014, https://ceroart.revues.org/4238 (accessed 17/2/2016)

Seymour, K., ‘Teaching adhesive principles to conservation students: sine scientia ars nihil est - without knowledge skill is nothing’, Adhesives and Consolidants in Painting Conservation, proceedings of the international conference held at the National Portrait Gallery, London, 6 May 2011., ed. Barros D’Sa, A., Bone, L., and Gent, A., Archetype Publication Ltd, 2011

Seymour, K., ‘Adhesives 101: Teaching Adhesive Principles to Conservation Students’, poster presented at the international conference Adhesive and Consolidants for Conservation: Research and Applications. Symposium 2011 organised by Canadian Conservation Institute in Ottowa, Canada 17-21 October, 2011

Seymour, K., Fife, G., Schreuder, K., ‘Developments in Education in the Netherlands for the Conservation of Panel Paintings’, Proceedings from the symposium Facing the Challenges of Panel Paintings Conservation: Trends, Treatments, and Training. Phenix, A., Chui, S.A., (Editors) The Getty Conservation Institute, Los Angeles, 2011 Preventive Conservation and Technical Analysis

Hoppenbrouwers, R., van der Horst, J., van Gestel, C., Vugts, A., ‘All hazards approach: safety and accessibility for religious heritage in the Province of Limburg’,ICOM-CC 16th Triennial Meeting Abstracts, Lisbon, 19th-23rd September 2011, ed. Bridgland, J, pp 217, International Council of Museums, Working Group Preventive Conservation.

Seymour, K., ‘Standard non-destructive techniques used to document and examine artworks employed within the conservation field’, Cultural Heritage Conservation: Non-destructive testing technology application: proceedings of the international symposium held at the National Center for Research and Preservation of Cultural Properties, Tainan, Taiwan, 6-7 December 2010. NCRPCP, [digital]